On another note, I like to imagine the lush green that these black and white photos are hiding. It’s like reading a book and having to use your imagination about how a character or place looks.
I’ve been thinking about camera gear. How mine has become rather unloved and spends most of its time just existing rather than doing. I wander what is the benefit to my life of having a camera and lenses idling away.
I have two options:
- Sell the bits that I haven’t really used properly for about the last year. Invest in using my Fuji and analogue film more (although my analogue camera is currently out of order)
- Start using them.
What are your thoughts on used cameras? Do you have one? Or more?
So in case I haven’t mentioned it somewhere, I started teaching a photography class. My motivations were primarily selfish. I wanted to get back to thinking about photography. And I have to say I am enjoying really diving into things I haven’t thought about before. More deeply exploring concepts and ideas is something I love doing and I love that I have an excuse and motivation to actually do it.
In my explorations I came across this quote by Henri Cartier-Bresson:
If a photograph is to communicate its subject in all its intensity, the relationship of forms must be rigorously established. Photography implies the recognition of a rhythm in the world of real things. What the eye does is to find and focus on the particular subject within the mass of reality; what the camera does is simply to register upon film the decision made by the eye. – Henri Cartier-Bresson
It highlights several things to me:
- The purpose of taking a photograph is to tell a story of a subject and you need to do everything you can to make that story happen.
- Don’t just ‘take a snap shot’, make a picture. Be conscious and intentional when taking a photograph.
- Photographs are created.
- Understanding of art principles is really useful in creating these more considered images. I am currently learning more about compositional elements that I am looking forward to playing around with and sharing with you.
- The camera is a simply a tool. The best camera you have is the one you have on you!
I suppose what I am saying in a nutshell is that I want to become more conscious when I am behind the camera. What do you think? How conscious are you when you are behind a camera?
On a second note, I am thinking of sharing some of my learning. I kind of see it as giving myself a diploma in photography and why not share that. So I thought I would share some great things I come across, photographers that inspre me and some of my experimentation. Yes? No? Let me know
Just a few black and white pictures of Venice from last weekend. Having looked at the weather forecast and knowing it was going to rain I thought I might right a post about all the things you can do in Venice when it rains. But we still walked around an awful lot, stopped for a coffee and stopped for lunch.
Maybe next time.
Though see the picture in the middle there with the guys at the table playing guitars. That is totally why I love Italy.
Negative space is the ’emptiness’ between an object and another or the ‘edge’ of the image. Negative space is a standard in the art world (think Cy Twombly or Mark Rothko) but has become an increasingly popular trend in many elements of design (the white space in web pages, simpler logos) as well as photography. I think in particular for photography the use of negative space is a simple tool to highlight something specific: perhaps the simplicity or beauty of an object.
Negative space also allows space for the viewer to come in and wonder around and feel the emotions that you (as the photographer/artist) are trying to communicate – loneliness, calmness, peace.
But I think I have a new appreciation for the idea after reading this piece by David Duchemin for Artifact Uprising. Ponder these words:
there is only so much impact a frame can contain; the more the included elements compete for that impact, the less impact any one part of the frame can have. That is to say, the photograph is stronger for the photographer’s ability to say no.
Obviously that doesn’t mean all images should fully embrace the concept of negative space but perhaps concentrating on the subject and what is important can help bring the value of what is created through negative space with your more ‘inclusive pictures’.
Let’s look at some examples.
One of the easiest subjects to capture with the minimalist effect of negative space are landscapes. It really highlights the lines of the landscape or highlights a feature. Think of the ‘postcard’ images of Tuscany with rolling hills and a tree or farmhouse on a hill somewhere. As the viewer of such an image, I am also left feeling the grandeur or awe of a place when you think of the amount of space you would take up in that image.
Use of negative space in interiors and styled shots really helps the graphic elements to stand out.
Again, in portraiture the negative space really acts as a way to frame and highlight the person (or people) you are photographing.
Max Wanger is one photographer in particular who uses negative space in a really beautiful and effective way to simplify his images and highlight the subject. Creating plenty of room for emotion.
What do you think of negative space? Do you use it often? Share some examples in the comments if you like.
I took this photo yesterday while in Rovinj, Croatia. It seemed to me to be almost surrealist, like a Dali painting. The cloud makes it but the repetition of the stairs, the separation from the background, the lines, the colours.
What do you think?
Also I think I may be getting my photo mojo back. It just requires getting out and taking some pictures in a beautiful place with the sun shining, sometimes.